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Installation
Discography
Academic Residencies
Scores for Dance
Grants
& Fellowships
Film & Theater Artist Residencies
Field Recordings
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2012 |
Teraphim. Meridian Gallery |
2011 |
The Bowls Project. Museum of Peace in Uzbekistan |
2010 |
The Bowls Project. Yerba Buena Center for the Arts |
2009 |
The Alef-Bet Project--HEAVENSHOW. Contemporary Jewish Museum |
These albums are at the intersection of voice, text and diaspora consciousness.
2018 |
Book of J Third Generation Records |
2014 |
HEAVENSHOW. Porter Records |
2010 |
The Bowls Project. Tzadik, Radical Jewish Culture |
2007 |
Punch. Recommended Records |
2006 |
Sarajevo Blues. Tzadik, Radical Jewish Culture |
2006 |
Thick. Tzadik, Oracle Women’s Series |
2002 |
Trilectic. Tzadik, Radical Jewish Culture |
1998 |
Eat. Vaccination Records |
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In addition, Jewlia/Charming Hostess is featured on benefit albums for Revolutionary Women of Afghanistan, Doctors Without Borders, Anarchists Against the Wall, Hilltop Stop, Antifascist Anthems, and Women at the Wall. |
This involves teaching seminars, workshops and master classes with college students, community members, and the youth outreach programs associated with the universities.
2018 |
Williams College |
2017 |
University of Chicago |
2015 |
Franklin and Marshall College, CalState North Beach |
2013 |
University of California, UCLA |
2013 |
University of Boulder, Boulder |
2011 |
Lehigh College |
2009 |
CalArts |
2008 |
Denver University |
2006 |
MIT, UMass |
a ommon mispelling
of Jewlia Eisenberg, the composer of Charming Hostess
2016 |
Asylum for Queer Piyut |
2013 |
CounterPulse Performing Diaspora |
2012 |
San Francisco Arts Commission for The Ginzburg Geography |
2011 |
Koret for The Bowls Project |
2010 |
San Francisco Arts Commission for The Bowls Project |
2010 |
Keren Keshet for The Bowls Project |
2010 |
Zellerbach Foundation for The Bowls Project |
2008 |
NY State Arts Commission for Antigone |
2008 |
Creative Work Fund for The Bowls Project |
2008 |
San Francisco Arts Commmission for for Cafe Salonika |
2008 |
CEC Arts Link for The Bowls Project |
2007 |
Meet the Composer for Red Posa |
2006 |
Trust for Mutual Understanding grant for
Reflex, collaboration with Balkan poets |
2006 |
Puffin Foundation grant for Red Rosa |
2006 |
Katzenstein Fellow
at MIT — collaboration with experimental architects and engineers |
2006 |
Sloan Foundation for Harmonices Mundi, about Kepler's mother |
2005 |
Goethe Institut SF for Red Rosa, a setting of letters by Rosa Luxemburg |
2005 |
Rockefeller Foundation Multi-Arts Production
Fund Grant for The Grim Arithmetic of Water |
2004 |
Goldman Fund Tikea Fellow — project-based
radical film work with youth |
2001 |
Weisz Fellow for field research and recording
among Jewish women in the Gondar, Ethiopia |
2016 |
score for Homofile by Seth Eisen |
2013 |
score for Sonic Kung Fu by Mike Lai |
2012 |
score for HomoFile By Seth Eisen |
2010 |
on score of The Infidel, by Josh Appignanesi |
2009 |
score for Antigone,
by Ripe Time |
2005 |
on score of States of Unbelonging,
by Lynne Sachs |
2003 |
Starface —
Short film based on an Isaac Babel screenplay.
Adapted script, directed, scored. |
2002 -
2007 |
The Radical Film Project — Compose and perform new scores for silents with political content. |
1998 |
on score of Story of Lillith,
by Lynne Sachs |
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2020 |
Meet Us,
choreographer Jo Kreiter |
2013 |
Give a Woman a Lift,
choreographer Jo Kreiter |
2010 |
Singing Praises,
choreographer Jo Kreiter |
2005 |
The Grim Arithmetic of Water, choreographer
Jo Kreiter |
1998 |
Sparrow’s End,
choreographer Jo Kreiter |
1997 |
The Traveller, with Charming Hostess, choreographer Stephanie Maher
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2013 |
CounterPulse residency |
2007 |
Headlands Center for the Arts residency |
2006 |
Djerassi residency |
2006 |
CalArts/Alpert Award Ucross residency |
1990-1991, 1995 |
Bulgaria, Romania, Hungary |
1991 |
Greece, Turkey |
1992 |
Israel, Egypt, Jordan |
1994 |
Uzbekistan, Tajikistan |
1998 |
Italy, Tunisia |
2001 |
Mali, Ethiopia, Zanzibar |
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